Cultural Heritage of South Asia
Time: 2022-06-06 Author: Sujit Kumar Datta
Sudip Bhui&Santosh Kumar Behera&Sujit Kumar Datta (eds.), Cultural Heritage of South Asia: Challenges and Opportunities Amidst COVID-19 (London: Red’Shine Publication, 2022).
About this book
The course of life in before COVID-19 is gradually coming in landscape of memories as pandemic has already touched and transformed each and every aspect of life in global scenarios as integrated perspective of regional facts, events and process. So, we cannot confine in the pandemic situation but we have to analyze the abridged situation and understand problems of transformation and make effort to solve the problems with probing the roots and causes. Here a compact team effort has been made by the editors as well as the contributors across international and international boundary beyond any core disciplinary area.
Existence of the Mankind on the Earth remains as confluence of society, culture and civilization commenced its journey since 5 Lac years in South Asia. Regular coherences in tradition and culture among the countries of this region are continuing in spite of their geopolitical and ethnic differences. Experiences, expressions, influences and impressions create eternal chorus and tuned in to cultural heritage. Communications among people over the time promote heritage to conglomerate in civilization. Language as vehicle of culture carries, connect and refracted ideas transcend the barriers of unlimited obstacles of disparities.
The first significant move in regard to protect the cultural heritage was dates back to 1954 when UNSECOs organized a ‘Convention for the Protection of Cultural Property’ aimed to conserve and preserve the monuments and art works. However, there is an ongoing debate over the use of the term ‘Cultural Property’ (Prott 1989). Scholars argued that, use of the term ‘Cultural Property’ is linked with the legal framework (Prott and O’Keefe 1992) and may not appropriate to achieve the social and traditional values associated with the culture and separate its access and control from original ownership. Further, using of the term is often promoting the idea of ‘commoditization of cultural artifacts’. Against this notion, scholars argued that, there are many more cultural heritages or tradition which are practice or expressed as intangible culture. According to UNESCO, there are several categories of cultural heritage-Tangible cultural heritage, Movable cultural heritage (painting, sculptures, coins, and manuscripts), underwater cultural heritage (shipwrecks, underwater ruins and cities), Intangible cultural heritage (oral tradition, performing arts, rituals). Intangible cultural heritage includes all forms of traditional and popular folk culture. These heritages are also including landscape, sacred groves, oral tradition, ethno music, ceremony and rituals, which are anthropologically more significant as these are wholly practices in a particular culture by a particular ethnic group. South Asia exists on a highly valuable historic and geopolitical location covering the nations Bangladesh, Bhutan, India, the Maldives, Nepal, Pakistan and Sri Lanka, and parts of adjacent states reflect continuous network of cultural rubric. Currently south Asia contains 7.8 percent sites of the World Heritage List belong to the one-fifth of the world's population. The cultural heritage of South Asia can be traced from the twenty five Lac year’s old stone tools like Potwar plateau is continued to Bronze Age culture of Indus valley civilization via the Neolithic sites of Mehrgarh. Rehman Dheri represents held the largest Bronze Age culture of world having credits of uniformity of script, ceramics, town planning and weights. This region has enriched with a series of chalcolithic sites like Inamgaon of Maharastra, Hastinapur of Gangetic plain bear the world heritage. The entire area evolved through consequences of Geo-political tensions, orientations with their regional uniqueness. UNESCO's 1972 World Heritage Convention represents the region's most important means of protecting a limited number of sites illustrating its unique cultural heritage.
Pandemic COVID 19 is a severe threat to all aspects of human civilization, people through their entire capacities are making endeavors to protect cultural heritage. Artists, scholars, and other benevolent group fight against COVID 19 with ideas, values and knowledge from cultural heritage. The book has been edited with basically three aims: i) To accumulate varies dimensions, thoughts and ideas related to cultural heritage for providing clear visions to the researchers, policy makers, emerging professional field like tourism. ii) To focus the enormous scope of hidden treasures, bring the different categories of people relocate resources and their proper utilization iii) To examine status and role of cultural heritage to understanding challenges, potentialities of combating and keep forward our traditions on the way of progress.
In general the volume will play heuristic role to bring interest of scholars, critics, columnists and amateurs of core as well as interdisciplinary field area. The articles have come from research and study area of several disciplines like anthropology, ethnography, ethnology, education, history, archaeology, indology, religions, political sciences, human geography, folk-cultures, language, sociology, performing arts, mass communications, journalism, international relations and diplomacy.
The entire volume has been realized in five major interconnected sections. Respective sections are Situating Man in Cultural Heritage during Pandemic, Challenges of Cultural Heritage during COVID-19, Indigenous people and Cultural Heritage on the verge of COVID-19, Economy, Health and International Relationships, and lastly, Future and Prospects of Cultural Heritage in Post COVID World. Earlier sections create perspective to understand the later. Basic know how of people of South East Asia in terms of ethnic identity, mosaic nature, geopolitical location. The studies represent sections of indigenous population of focused geographical area along with modern people of megacities, in perspectives of society, religion, polity, economy and international relationship and role of UN agencies. Importance of both cultural heritages like tangible and intangible are discussed in reference to main area. Cultural heritage of north east to southern, eastern to northern, central part of India are discussed. The scholars of more than five nations from interdisciplinary and recent most emerging research areas have contributed in many controversial and burning problems.
With respect to the scenario, Chokey Namgyal Bhutia focuses on the need of proper understanding of the culture of North East India and removes the racial and cultural discrimination against the people. Rajanita Das Purkayastha casts light on problems of cultural heritage among the Chetty of Malacca. Riddhi Sanyal analyzes two periodic reports submitted by the South Asian countries of India and Bangladesh regarding the implementation requirements of the Convention and on the current steps taken by the governments to protect the elements inscribed in the ‘Representative List’ on Intangible Cultural Heritage. Finally, the paper takes an analytical position on the elements excluded in the list and problematizes the challenges faced towards the protection of Intangible Cultural Heritage. Adil Qayoom Mallah, Shabnam Parween&Ashraful Islam Laskar attempt to understand the nexus between culture and globalization and unpack the nuances and repercussions it has brought to the greater edifice of culture and heritage. Mahammad Robiul Awal highlights on the impact of Modernization and Globalization, upon Cultural Heritage and its crisis. Chiranjibi Sabar describes various dimensions of social cultures and how these are affecting in education. C. Arulmugil focuses on how some the folks in the couple of centuries back in Pondicherry and Karnataka come forward in protecting and saving water reservoirs for the benefit of the future. Goutam Majee&Mahamudul Hasan Gayen explore this cultural ethos which came out in the Raniganj coalfield area during colonial Bengal. Usharani Mahato&Sudip Bhui show the way for regional woman to retain their own culture and how to maintain it in the future. Muhammad Faridul Alam&Jiefeng Lu encompass the further understanding of the ILSs and the real practice as well as interpreting the issue from the perspective of Covid-19. Sugiarto Pramono discusses on the effect of covid-19 on the realization of The China-Pakistan Economic Corridor (CPEC). Jayshree Borah explains the reasons behind China’s and India’s mask diplomacy and vaccine diplomacy. It explains how other public diplomacy factors such as China-Taiwan, Xinjiang and China’s global image building also plays significant role behind China’s public health diplomacy. Kamruzzaman Bhuiyan tries to unravel the challenges and opportunities South Asian countries face to reinstate this potential sector-tourism. Tarak Mohan Hazari&Sudip Bhui&Rajnarayan Poddar unearth the role of traditional lifestyle of rural society in the emergence and development of Chhau dance. Ayush Mazumdar&Mazhar Shamsi Ansary&Santosh Kumar Behera highlight on how the new normal created by the pandemic creates a stress upon the intangible cultural heritage of India by forcing the performing artists to re-modify their way of livelihood and even making it unviable in the current context. The paper also seeks to understand how far the virtual platform can compensate or replace the real-world live performance in terms of sustainability and viability both economic as well as in terms of artistic sensibility. The paper also seeks to understand the effect of the pandemic upon different classes of the artist both rural as well as urban.
The efforts has been made by contributors in this pandemic periods reflects their most valuable experiences as they were not free from any turmoil of most measurable global time. Editors made their tasks to make coordination with authors beyond their problems by keeping tenacity. All the lapses are bestowed to editorial teams concerning to editing but authors reflects their personal opinions to express and illustrate. Success and efficacies of this entire work depend upon consideration of readers, critics and people who want to do something in this urgent research and area of activists. Publisher has great role and understandings to bring this contribution in front of literary world. Success will be credits of reflects all moments, memories and thoughts of all the stakeholders.
Editors and Affiliations
Dr. Sudip Bhui
Department of Anthropology&Tribal Studies, Sidho-Kanho-Birsha University, Purulia, West Bengal, India.
Dr. Santosh Kumar Behera
Dept. of Education, Kazi Nazrul University, Asansol, Paschim Bardhaman, West Bengal, India.
Dr. Sujit Kumar Datta
Research Centre for Asian Studies(RCAS), Haikou, China.
Department of International Relations, University of Chittagong, Chattrogram, Bangladesh.